“In short, all that were great and good loved and honoured him.”
John Aubrey, Brief Lives – 1680-93
Sir Francis Bacon, Baron Verulam of Verulam, Viscount Saint Alban (1561-1626), was not only a recognised genius but also a man of many parts—a renowned philosopher, poet, orator, author, essayist, cryptographer, courtier, lawyer, parliamentarian, statesman, intellectual reformer and master of the English tongue. He was the first QC and KC, and in later life became Lord Keeper of the Great Seal and Lord Chancellor, with the titles Baron Verulam of Verulam and Viscount St Alban.
Bacon lived during the height of the English Renaissance and the beginning of the modern era, of which he is considered to be a major founder. Not only was he likened to Plato, as “The Third after Plato” (or “The Third Plato”), but the Royal Society, when founded, acknowledged him as their instaurator.
Similarly, in France, when Colbert in 1666 asked Huygen’s advice on how the French Academy should be developed, he recommended that it should follow Bacon's plan. Diderot and d’Alembert, in their preface to the great French Encyclopaedia (published in 1751), when speaking of those to whom they were most indebted, said: -
“At the Head of these illustrious Heroes we deservedly place the immortal Francis Bacon… we are tempted to esteem him the greatest, the most universal, and most eloquent of all Philosophers. It is to this great Author we are chiefly indebted for our Encyclopaedic Plan.”
Bacon referred to himself as "the herald of the new age", and Paracelsus prophesied his appearance as "Elias the Artist... who shall reveal many things". The Order Cabbalistic de la Rosecroix described Elias the Artist as the "Genius Director of the Rose Cross... Spirit of Liberty, of Science and Love which must regenerate the world." Dr. John Wilkins, the first Secretary of the Royal Society, referred to the Father of the Rosy Cross fraternity (‘Fra. R.C.’ or ‘Fra. C.R.C.’) as "Francis Rosicross". Bacon's Christian name 'Francis' means 'free', a word derived from Sanskrit pri meaning 'love'.
Bacon was a man of mystery—a Freemason, Rosicrucian and “concealed poet”, acknowledged as “The very nerve of genius, the marrow of persuasion, the golden stream of eloquence, the precious gem of concealed literature,” the “Light-bearer” and “Day-Star of the Muses”, “leader of the choir of Muses and their disciples,” and renovator of Philosophy by means of “walking humbly in the socks of Comedy” and “rising on the loftier buskin of Tragedy” (i.e. stage plays). 1
Likened to both Apollo and Pallas Athena, the Spear-shaker, Bacon led a studio of “good pens” (poets, writers, intelligencers and scribes), and both inaugurated and led the Shakespeare scene. Clues to his mystery are given in his unique titles, Baron Verulam of Verulam, which means ‘Spear-shaker of Verulamium’, and Viscount St Alban, which is the name of the Romano-British saint, St Alban, the reputed founder of Freemasonry in England. The higher degrees of the original Speculative Freemasonry were those of the Rose Cross.
Bacon was a Hermeticist and Christian Cabalist. One of the Cabalistic maxims is that some things should be revealed and some things should be hidden, so that to find the truth we have to make the effort to search for it. This treasure hunt is allegorised in the Bible as a game of hide and seek 2, wherein God hides the truth in order that man should seek to find it, and in Freemasonry as the search for the Lost Word. The absolute importance of this to Bacon is made clear in his writings, wherein he says that the glory of man is to play God's game of hide and seek 3, and to imitate God as we are made in God's image. 4
Not only did Bacon believe in this proverbial wisdom of Solomon, as also in the teachings of Jesus and the biblical account of creation as esoterically understood, but the “New Method” he gave to mankind, which he calls the “Art of Discovery”, is based on this wisdom. Bacon also said that he would provide a practical example of this art in order to teach us the method; but he doesn’t actually tell us what the practical example is or where to find it, other than providing the hint of the game of hide and seek, and mentioning that “the Art of Discovery can grow together with Discovery itself.”5
Like any game of hide and seek or treasure hunt, it requires clues—and the clues have been left in abundance, for those with eyes to see and ears to hear.